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New York’s Park Avenue Armory in Bounce Kirsten Chilstrom
Basic animal irritants too generally prove the ascendant affair of an art fair, no amount how allegedly baronial the clientele. And so, entering Tefaf New York Spring’s examination day on Thursday (3 May) abundant allocution was adherent to the airless calefaction of the antecedent day’s examination of Frieze New York in its covering on Randall’s Island. Tefaf, cloistral from New York’s bounce heatwave in the about air-conditioned of the Park Avenue Armory, was, as one banker quipped, “at atomic humane”.
Tulips, ability shuckers and accepted appearance aside, the additional copy of Tefaf New York Bounce does not feel abundant like the Maastricht original: this is a actual altered crowd. But, it is good, actual good, and, like festival-goers advertent glamping for the aboriginal time, big Modern and abreast art galleries demography allotment for the aboriginal time arise won over, and not artlessly by the air conditioning.
Many dealers acclimated to the abundant stands of Art Basel and Frieze acquisition themselves in far abate spaces at Tefaf. However, Brett Gorvy of Lévy Gorvy says: “The booths actuality are added intimate, like cabinets of curiosity.” He added: “It’s a actual catholic fair; the top 100 collectors in the US are allegedly actuality appropriate now. Bodies are advancing in and authoritative decisions actual quickly.” A brace of hours into Thursday’s preview, Lévy Gorvy had awash Jean-Michel Basquiat’s Extra Cigarette (1982) with an allurement amount of $5m, Andy Warhol’s Brillo Soap Pads Box (1964/1969) which went anon with an allurement amount $950,000, and, according to Gorvy, there are “four bodies lining up” for a 1970s untitled oil by Willem de Kooning, priced at $1.35m. “I anticipate today, you ascertain yourself by the fairs you chose to do,” he added. “We chock-full accomplishing Frieze New York and now do Frieze Masters in London and Tefaf New York.”
By the end of Thursday, Lisson Arcade had additionally about awash out its booth, with sales including an aboriginal bowl assignment by Mary Corse (asking amount $450,000), Estructura by Carmen Herrera ($450,000), a allotment by Lee Ufan ($450,000), and a assignment on agenda by Sol LeWitt ($140,000).
The trend for themed booths is strong: Dickinson from London chose the Modern Muse, Ekyn Maclean (New York and London) accept gone for all-embracing Pop, Beck & Eggeling hone in on the Zero group, Helly Nahmad apply on works from the 1920s and Galerie Gmurzynska go abounding on Bond villain’s band with a angle advised by the artistic administrator Robin Scott-Lawson absolute works by Yves Klein, Joan Miró, Roberto Matta and Wifredo Lam.
Here are a few things at the fair that bent our eye:
Philip Guston, Forms on Rock Ledge (1979) The Estate of Philip Guston Courtesy the Estate and Hauser & Wirth Photo: Genevieve Hanson
“It’s a comedy on painterly carve and sculptural painting. Aback you attending at Philip Guston’s work, it is sculptural, and aback you attending at Eva Hesse’s sculpture, they accept this painterly affection to them. In actuality she consistently had a dream of actuality a painter,” says Marc Payot of Hauser & Wirth of the gallery’s presentation at Tefaf of Hesse, Guston and Louise Bourgeois together. This Guston painting, accomplished the year afore the artisan died, “combines all the beheld elements that were important in his work: the border line, the shield, the canvas with nails formed into it, and the actual forms,” Payot says. “Then there is the dejected background, a colour which is added frequently apparent in his abstruse works of the 1950s and 60s”. The painting awash on examination day for $5.5m.
Gunther Uecker, Strömung, 1972 Beck & Eggeling
The Düsseldorf-based arcade Beck & Eggeling adherent its allowance admiral in the Park Avenue Armory to a affectation of post-war Zero accumulation works by Heinz Mack, Otto Piene and Günther Uecker. Two of Uecker’s attach works apparent accept been in German clandestine collections aback they were bought from the artist, in 1964 and 1972 respectively. Centre date is a ample work, Strömung (1972). “It was apparent at the Guggenheim in New York in 1972, and again alternate to a collector’s home abreast Düsseldorf until now,” the banker Michael Beck says. “I accept been aggravating to actuate them to advertise it for four or bristles years. This is the aboriginal time it has been apparent in public, and the aboriginal time it has alternate to New York.” Best adorable in Uecker’s work, Beck says, “is a feel of movement in the nails, like wind alarming through a field, as in this work.” The allotment has an allurement amount of €2.2m.
Alexander Calder, Dancers and Sphere (1938) Galerie Natalie Seroussi
Although Calder is added carefully associated with the circus, the artisan additionally maintained a adulation for ballet and theatre throughout his life, and alike advised the sets for Erik Satie’s Socrate in 1936. He created this adaptable “ballet-object” as a maquette for a sculptural agency by the ability aggregation ConEd for its pavilion at the 1939 World’s Fair account in New York. Ultimately unrealised, the abstracts in this allotment after provided afflatus for The Four Elements (1961), a awe-inspiring carve for Stockholm’s Moderna Museet. “As Calder created Dancers and Sphere for the New York Fair in 1939, we anticipation that it was a nice return to accompany aback the work to the United States 80 years after for a agnate occasion”, says Julien Seroussi, the arcade director. This amusing assignment was ahead in the accumulating of Yves Saint Laurent and Pierre Bergé.
David Adamo Untitled (eggs 4) (2017) Peter Freeman, Inc.
As allotment of a presentation of four centuries of trompe l’oeil works—right bottomward to a faux-wooden attic for the booth—Peter Freeman has called pieces alignment from a 18th-century Italian mural by Bartolomeo Sampellegrini da Pizacenza to a cast-bronze agenda wine box by Rachel Whiteread. Among the best contempo are David Adamo’s blush anesthetized brownish doughnut and an acrylic and apply painting on canvas, allegedly with eggs bashed beyond its surface. “Artists accept been alive with trompe l’oeil throughout the history of art, and we anticipation it would be alluring to accompany assorted time periods and ancestors calm for this presentation, and Tefaf New York is the absolute abode to do it”, says Jayne Johnson, a arcade director. The accumulation additionally includes paintings by John Frederick Peto and De Scott Evans, as “the 19th aeon was an abnormally absorbing moment in which trompe l’oeil took on a audible ‘American-ness’” Johnson says. This trend connected through to Pop art, as with Andy Warhol’s Brillo boxes and an almighty conceptual Roy Lichtenstein, Things on a Wall (1973). Today, Johnson says, “contemporary artists, like Charles LeDray and David Adamo, [continue to] advance the abstraction into new directions”.
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